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“We pretend bodies are ugly. They cleaned up the mess as best they could and she went home with him docilely. You must tell me what it all means. She began rubbing it with her pocket-handkerchief. I am sorry, but you have spoilt me. Her eyes travelled about the room as if in appeal to the very chairs. Divers plans and figures were chalked upon the walls; and the spaces between them were filled up with an almanack for the year; a godly ballad, adorned with a rude wood-cut, purporting to be "The History of Chaste Susannah;" an old print of the Seven Golden Candlesticks; an abstract of the various Acts of Parliament against drinking, swearing, and all manner of profaneness; and a view of the interior of Doctor Daniel Burgess's Presbyterian meeting-house in Russell Court, with portraits of the reverend gentleman and the principal members of his flock. His features were regular, and finely-formed; his complexion bright and blooming,—a little shaded, however, by travel and exposure to the sun; and, with a praiseworthy contempt for the universal and preposterous fashion then prevailing, of substituting a peruke for the natural covering of the head, he allowed his own dark-brown hair to fall over his shoulders in ringlets as luxuriant as those that distinguished the court gallant in Charles the Second's days—a fashion, which we do not despair of seeing revived in our own days. Ann Veronica wondered what her father would do if she were to tell him the full story of her relations with Ramage. Battle, murder, and sudden death—and an old chap like McClintock tuning his piano in the midst of it.

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